In the insistence that Edwards and Wolinski placed on pulling apart Dobell’s otherwise unremarkable painting, we see a culture frantically insecure about itself, and needing to define itself within the rigid parameters of history and convention.
Author: Lachlan Griffiths
All in all, Long Lost Loves (And Grey Suede Gloves) was a fascinating evening of singing and piano. It renewed, as Dowsley said, the “power and the rawness” of cabaret: the incredible talent of her singing, and the virtuosity with which Michael Curtain played the piano deserved the encore and ovation at the end.
In the Push’s anti-racism, and their commitment to intellectualism and debate, it marked itself out as a group of unique non-conformists that are central to a larger tradition of Australian radicalism.
Since the 2019 retirement of Professor Robert Dixon, the Chair in Australian Literature at the University of Sydney has been…
The recent Sydney University Dramatic Society (SUDS) production of Rolleo and Juliet is an acerbic and witty romp through romance,…
Last week, pianist Andrey Gugnin performed at the City Recital Hall. Gugnin, already rightly feted as a virtuosic interpreter, offered…
Students attended a speak-out at Fisher Library before marching to F23 to show their support for the Voice and condemn the “racist rhetoric” surrounding the referendum.
Universities exist as much in ones-and-zeroes as they do in stained-glass and sandstone.
As much as people might write off “joke” candidates as immature children emerging from a proverbial clown car, I think they can actually do a lot of good.
Twenty cents was enough money in the ‘60s for students to brandish pitchforks.
