Navigating through our collective grief is non-linear, joy is not the absence of grief nor is it the absence of criticality, and throughout the seven total venues participating in this year’s Biennale, we see how they try to expand on the complexity of celebration.
Browsing: Art
In this “sappy group-sop”, love is explored in all its genres and intricacies adorning all that enter the exhibition.
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As the Year of the Wood Dragon comes to the fore, this exhibition is a refreshing departure from the archetypal divine power embodied by the creature and family politics traditionally associated with Lunar New Year festivities.
MILK’s end is a reminder of the constant labour undertaken in the creative scene to ensure its extra-institutional survival.
What it lacks in size, the exhibit deeply makes up for in character. The fifty pieces, picked out from over six-hundred entries, are cloaked in personality, thought, and clear consideration for art as a medium.
Whilst the marches, sit-ins, and picket lines of the world are powerful, street-art will always be one of the most enduring manifestations of public outcry against the status quo.
Universalism is often a dangerous concept, but perhaps there’s something in the idea that shapes are a unit, something that we can construct a world of thought out of.
A new addition to the Art Gallery of NSW, filled with an array of stunning artworks, will be available to the public this Saturday.
A collaboration between Honi Soit and The Power Institute. Facilitated by Nick Croggon and Katrina Liberiou.
