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Film

Culture, Film //

‘Videodrome’, or: How I Learned to Stop Worrying and Loathe Mark Zuckerberg

Nearly 40 years on, Cronenberg’s classic remains relevant for USyd’s student life.

March 20, 2022 Luke Mesterovic
Film, Reviews //

Alliance French Film Festival 2022

The French Film Festival returns for another year.

March 20, 2022 Harry Gay
Culture, Film, Multilingual //

East Palace, West Palace—A Rebellion on the screen

“I’m not despicable, I’m just like you,” was the first battlecry of the Chinese queer community against its on-screen marginalisation.

March 7, 2022 Leon Yin
Culture, Film //

Glitter, tension, trauma and trash?

Euphoria. The glitter. The tension. The trauma. We lap it up, undoubtedly for the masterful works of cinematography and soundtrack to match.

February 27, 2022 Junnade Ali
Culture, Film //

A wild, wild mess: when Revisionist Westerns go wrong

Are all Revisionist Westerns just a waste of time?

November 1, 2021 Nafeesa Rahman
Culture, Film //

Nothing’s fair in love and war

The jury’s not out on the ethics of these adaptations.

August 30, 2021 Holly Hughes
Culture, Film //

The Kissing Booth: A fond farewell to a soul-destroying trilogy

We truly can’t handle the Booth.

August 23, 2021 Matthew Forbes

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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