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Music

Music //

Hyperpop is dead, good riddance!

Hyperpop (as we know it) is a myth, but who is telling its story?

April 10, 2022 Chuyi Wang
Culture, Music //

The past as a roadmap for the future of Sydney’s art music scene

Art music in Sydney is seeing a much-needed shift away from Eurocentrism.

March 28, 2022 Alexander Poirier
Culture, Music //

Post-Internet music and the rise of Hyperpop

Memes, maximalism and music. When internet culture weaves itself into popular music, hyperpop is the result.

March 27, 2022 Nelson Crossley
Culture, Music //

Resist: Midnight Oil’s call to fucking do something about the climate crisis

With our beds burning, Midnight Oil’s music continues to be relevant.

March 13, 2022 Valentina Carrizo
Culture, Music //

‘Women who hear music in their heads’: The forgotten history of women in electronic music

Women were instrumental in the development of electronic music. These pioneers set the stage for one of the music industry’s most inclusive genres.

March 7, 2022 Maddie Clark
Culture, Music, Stage //

Grrrl riot, not gonna stay quiet

The riot grrrl revolution put power in the hands of young women trying to be heard

February 27, 2022 Kate Newsome
Culture, Music //

Shut Up And Tab The Hits!

On the wild world of music tabs.

September 16, 2021 Huw Bradshaw
Culture, Music //

Yesterday’s mixtape: Driving through the past

Sounds of childhood memories and the music that accompanied them.

August 30, 2021 Tasia Kuznichenko
Culture, Music //

Ladies of the Dulcimer

On Joni Mitchell, the dulcimer and American folk music.

August 26, 2021 Alice Trenoweth-Creswell

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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