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architecture

Culture //

Urn spotting: the ghosts of Sydney’s skyline

Looking for little ornaments.

November 2, 2021 Grace Lagan
Culture //

Along the yellow-block’s road

The history of Sydney's sandstone.

November 1, 2021 Luke Cass
Perspective, University //

Missing Wilko: two campuses, two degrees

Becoming fond of brutalism in lockdown.

October 19, 2021 Kimmi Tonkin
Culture //

The wicked witches of the Inner-West

Double, double toil and trouble; fire burn and Annan-dale

October 12, 2021 Alice Trenoweth-Creswell
Analysis //

Architecture, Empire and Enterprise

How ideology has influenced the University’s architectural aesthetic.

August 8, 2021 Ryan Lung
Opinion //

Community sacrificed in USyd’s corporate ideal

The impact of architecture and communications choices on the student/staff relationship.

May 10, 2021 Max Shanahan
Hostile architecture
Features //

Hostile architecture: A city consumed

The nightmare on Pitt Street

October 24, 2019 Anh Nguyen
Features, Uncategorized //

The gilded, glass cage

Some hate it, others love it - the New Law Building is as polarising as a law degree itself.

October 17, 2019 Baopu He
Poles of USyd in various locations
Culture // Campus Culture

Poles, Pillars and Praxis

Alan and Annie befriend overlooked structures on campus

March 5, 2019 Annie Zhang and Alan Zheng
News // Design And Planning

Is this the ‘Apartment of the Future’?

The prototype responds to a need for innovation in a changing housing industry.

August 9, 2018 Grace Johnson

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Copyright Honi Soit 2018.