The Farewell has resonated with second-generation Chinese migrants, but what do their parents think?

Celine Sciamma’s latest film provides a searing portrait into feminine sensuality and the politics of gaze

South Korean auteur Bong Joon-ho's latest film is a darkly comedic economic parable of inequality in East-Asian society.

We are a more globalised, diasporic and culturally-mixed audience than cinema has ever reached before. Let's act like it

Jordan Peele's Us can be seen as a reflection of America’s dark past

Simply marvellous quality.

Sophie Gallagher looks at the death of cinema and the dominance of downloads