Frank Ocean’s confession marks change in hip-hop’s sexuality, writes Victoria Lui.
In a selfish city with significant infrastructure problems, NIMBYism has been a loud and at times influential force. But not everyone shares the cynicism toward development. Michael Koziol meets the residents and reformers urging on the transformation of Sydney.
Before there were small bars, there was the Different Drummer, writes Nick Rowbotham.
Attempts to motivate the public into action cheapen the problem of violence, writes James O’Doherty.
On a hot New York afternoon, Madeleine King took refuge in the coolness of the Metropolitan Museum of Art.
Matt Clarke is ready to dance when the vamp up. Azealia Banks has what every young artist dreams of: buzz. Late last year, the 20 year old rapper released her debut single ‘212,’ which rocket-launched the Harlem singer from total unknown, to industry up and comer.
The phonograph never died, writes Avani Dias as she dives into Sydney’s own vinyl culture (and labels).
From the Norway massacre to the murder of Trayvon Martin, Ben Brooks chronicles the use and misuse of firearms in a world which continues to tolerate their inevitable consequences.
As the biggest event in world cinema comes to a close, Brad Mariano stops to chronicle the sights, sounds, and successes of this year’s Cannes film festival.
Honi Soit cartoons. The Hack by Bryant Apolonio.