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museum

Art, Reviews //

rīvus — peering into troubled waters: The 23rd Biennale of Sydney

rīvus encapsulates the complexities of a world wrapped in water, navigating its social and environmental landscapes.

March 12, 2022 Amelia Koen and Thomas Sargeant
Analysis //

Museums: Dismantle, Decolonise, Re-build

This history begs the question: is it ever possible to decolonise the museum?

March 28, 2021 Amelia Koen

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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