Yussef Dayes was unparalleled at the Sydney Opera House. That might have been the problem.
Browsing: music
A deafening Wednesday night with one of the most bombastic legacy rock bands touring today.
All in all, Long Lost Loves (And Grey Suede Gloves) was a fascinating evening of singing and piano. It renewed, as Dowsley said, the “power and the rawness” of cabaret: the incredible talent of her singing, and the virtuosity with which Michael Curtain played the piano deserved the encore and ovation at the end.
Perhaps the only way to describe entering Violet Hull’s inner-city home on a Sunday is to capture it as a…
MILK’s end is a reminder of the constant labour undertaken in the creative scene to ensure its extra-institutional survival.
The sun melting from pink to purple to red. A hand raised and held as new songs begin. Drinks passed…
Honi spoke to the founders of Soft Centre Jemma Cole and Thorsten Hertog who give us a run-down on what the festival has in store for all.
There are so many ambient albums that could be considered Impossible Vinyl, but there is one that leaps out in particular.
Some part of me is glad that this album hadn’t been released the second time I drove across the Nullarbor, because I would have rinsed it, therefore spoiling it for myself. Instead I listened to the Spinner’s song ‘I’m Coming Home’ about 17 times a day and spoiled that instead.
Despite popular revivals in the 80s and 90s, rock today lives largely away from the mainstream. It exists mostly in pubs and bars, and that’s okay — it needn’t be widely commercially successful to be good or to have a point. Wherever it goes, its rebellious aura will live on.