MUSE’s production is an extraordinary watch. The cast, music directors and stage directors have embedded a rhythmic flow within my experiences of womanhood.

It was incredibly refreshing and gratifying to see a predominantly BIPOC cast take over and own the stage, especially when Australia’s musical theatre scene is so overwhelmingly white. Musicals that have played in Sydney such as Hamilton and Tina: The Tina Turner Musical, pave the way and give hope for more culturally diverse talents gracing Australia’s live stages in the present and near future.

Sunday in the Park with George was a magnificent performance, reflecting the interlaced nature of art, love, and passion.

Hits and misses at Manning Bar.

Four twenty-twenty vision for the latest MUSE feat.

How a humble theatre in Erskineville transformed into the undergrounds of New York City

An irritating plot lets down stellar character performances.

Boundless charisma and precise music direction bring this noir musical together

As director Laura Balboni takes her audience on a field trip to Rydell High, there is certainly no lack of enthusiasm from the cast of MUSE’s Grease

Photo by Dan Allen Sydney University Musical Society’s (MUSE) latest offering, directed by Hayden Tonazzi, did justice to its rendition of Peter Rutherford’s “The Hatpin”. As a musical based on the nineteenth century life of Amber Murray, the performance navigated the damning impact of misogyny on a woman who was forced to give her illegitimate…