All in all, Long Lost Loves (And Grey Suede Gloves) was a fascinating evening of singing and piano. It renewed, as Dowsley said, the “power and the rawness” of cabaret: the incredible talent of her singing, and the virtuosity with which Michael Curtain played the piano deserved the encore and ovation at the end.
Browsing: review
More than a novel, this book touches on the author’s feelings and vulnerability. The reader is invited into her thoughts and emotions, and given the tools for further self-reflection and personal analyses.
“New York was the only city really worth talking about, it seemed, yet if you’d read her essays or seen any assortment of her video works, you’d find the same sentiments without the substantial Opera House surcharge.”
The recent Sydney University Dramatic Society (SUDS) production of Rolleo and Juliet is an acerbic and witty romp through romance,…
Set in New York in 1968, Plaza Suite explores the reality that love, and relationships are always in stasis and…
Commenting on the play, director Lee Lewis said, “Tiny Beautiful Things is about every person on the planet and every…
“We’re not invisible, we don’t want to be criminals, we’re just kids.”
Set in early 20th century Sydney, Chloe Lethlean Higson’s The Strong Charmion is a testament to the emerging tendency of…
MILK’s end is a reminder of the constant labour undertaken in the creative scene to ensure its extra-institutional survival.
SUDS has opted to end this year with a bang. More accurately, they’ve ended it with several, all in the…