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somewhere only we know

Perspective // Somewhere Only We Know

Somewhere only we know: Bingara cottage

A mighty spooky tale on a lonely family farm

November 28, 2018 Alisha Brown
Perspective // Somewhere Only We Know

Somewhere only we know: Zambia

Trying to relate to both the motherland and your mother's land can be a challenge

October 23, 2018 Millie Roberts
Perspective // Somewhere Only We Know

Somewhere only we know: The road to Perisher

A winding drive through 20 years

October 16, 2018 Janek Drevikovsky
Perspective // Somewhere Only We Know

Somewhere only we know: Treehouse, Los Angeles

Life moves like a film reel in tinsel town

October 12, 2018 Lena Wang
Perspective // Somewhere Only We Know

Somewhere only we know: Rosehill video store

Grace Johnson spent her childhood roaming the aisles of Video Ezy

October 4, 2018 Grace Johnson
Perspective //

Somewhere only we know: Balmain breakup

Charlotte Lim reminisces on the suburb of her first romance.

September 6, 2018 Charlotte Lim
Perspective //

Somewhere only we know: Chatswood Station

Liam Donohoe reflects on his experience with the jewel of the North Shore.

August 23, 2018 Liam Donohoe
Perspective // Somewhere Only We Know

Somewhere only we know: Alligator Creek

Madeline Ward wasn't scared off by the eels.

August 14, 2018 Madeline Ward
Perspective //

Somewhere only we know: Penrith

James Newbold doesn't think Penrith is so ‘far away’.

August 8, 2018 James Newbold
Perspective // Somewhere Only We Know

Somewhere only we know: Bundaberg

Bundy's sun-kissed fields and breezy mornings offer more than just sugar cane and rum

August 2, 2018 Theo Delaney

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Copyright Honi Soit 2018.