Caitlin Harvey reviews the latest SUDS production
Nabila Chemaissem reviews the latest SUDS production.
Zoe Stojanovic-Hill on a bewitching production.
“Blow blow me out I’m so sad I don’t know why. Blow blow me out I’m so sad I don’t know why…” Walking out from Cellar Theatre after this eighty minutes monodrama, Blur’s song started to hover in my heart and I was haunted by some vague sadness. Directed by Victor Kalka, Grounded invites its…
Elijah Wilcox-Armitage gives feedback on a new SUDS work.
Photo by Victor Kalka Shevvi Barrett-Brown reviews the latest SUDS play, Alphabetical Order. Michael Frayn’s Alphabetical Order, directed by Tabitha Woo, invites its audience into the office of a small town library, home to an array of quirky, provincial characters and led by the enduring librarian Lucy (Imogen Hubber). The office is a mess, and…
Alana Cherry ponders when the Sydney University Dramatic Society will correctly rename themselves as the Sydney University Comedic Society.
Andy Zephyr reviews SUDS’ 2015 major production A Midsummer Night’s Dream
Charlie O’Grady watched some men punch each other for a bit.
Writer Ian Meadows wants us to know we’re all going to die. Between Two Waves, directed by Jack Ballhausen for SUDS, rings all the alarm bells, and in all the right ways. In this production, climate change and personal drama collide in a flurry of frustration and tension. Angela Colins and Kurt Dilweg A: Charlie Falkner…