Australian theatre needs more in the mould, writes Patrick Morrow.
SUDS—Studio B, 7:30pm. Wednesday—Saturday, April 30—May 10. The Detectives Handbook—a blend of hip hop, jazz, and film noir—is SUDS, and musical theatre, at its audacious best. With words by Ian Ferrington and music by Olga Solar, The Detectives Handbook recounts the story of the grizzled Detective Thompson and his naïve young partner, Hartman. They’re forced…
Tom Gardner checks out the latest SUDS play.
Sean O’Grady profiles USYD alumnus and dramaturge Kip Williams
Blythe Worthy is not entirely pro-Antigone, the latest SUDS production
Edwin Zorilla reviews the latest SUDS production, Macbeth.
By performing in a 100 hour improvised play, says Felicity Nelson
Shakespeare’s political tragedy Julius Caesar has been reimagined countless times over the centuries. The 2012 Royal Shakespeare production employed an entirely black cast and relocated the play to Africa to provide commentary on despotism and corruption. Bell Shakespeare’s 2011 production transposed the play into the modern political context of backroom dealings and leadership challenges,…
Honi Soit was a willing voyeur at this salacious SUDS production.
The dramatic conception of bringing a Romantic poem to the stage will be truly original entertainment, writes William Haines.