Stoker isn’t marked by the unabated savageness of Park’s Korean offerings, but rather restrains itself until tension builds overlong; bursting into sexual violence and bubbling back down again.

Only God Forgives is the second collaboration between Ryan Gosling and Nicolas Winding Refn, after 2011’s Drive. It can be a disaffecting, disorienting experience.

Upstream Colour is a rare, and paradoxical, example of a film that makes complete sense in of itself, but is impossible to summate.