Three previews for the week before Christmas: a comedy pantomime, an improvised storytelling experience, and a delicate piece of verbatim theatre.
Patrick Morrow chronicles the life and death of student theatre on campus.
Shannen Potter reviews SUDS’ latest play, ‘Preheat’.
Will Edwards reviews SUDS’ ‘The Bitterness of Pomegranates’.
Charlie O’Grady reviews SUDS’ Ghosts.
Australian theatre needs more in the mould, writes Patrick Morrow.
Lucy Connell chatted to Chris Taylor about skivvies, comedy and car chases in the Quad.
SUDS—Studio B, 7:30pm. Wednesday—Saturday, April 30—May 10. The Detectives Handbook—a blend of hip hop, jazz, and film noir—is SUDS, and musical theatre, at its audacious best. With words by Ian Ferrington and music by Olga Solar, The Detectives Handbook recounts the story of the grizzled Detective Thompson and his naïve young partner, Hartman. They’re forced…
William Xi explores the insufficient diversity of Australian theatre productions.
As I attempt to type ‘twelfth’ correctly for the fourth time, I consider that it would almost impossible to stage a production of Twelfth Night—by far the gayest of Shakespeare’s works—in this day and age, which ignores the blatant possibility for explicitly queer interpretation and characterisation. You know, we’re there, we’ve reached that point. Sport…