Harrison Dangate of Empyrean Incorporated writes to you in regards to your position at the company. He wishes to meet to discuss your professional and personal development, in person, at 10:15pm. I am giddy. Where Your Eyes Don’t Go was proposed as part of the SUDS Summer Season. It’s the sort of program that includes…
Joel Hillman reflects on SUDS’ latest performance. I think that safe in our comfortable USyd bubble, we often lack the vocabulary to authentically discuss those who seek peace on our shores. But as our government ‘Stops The Boats’, Sydney University Dramatic Society (SUDS) is trying to make the plight of refugees more real. Seedlings is…
Three previews for the week before Christmas: a comedy pantomime, an improvised storytelling experience, and a delicate piece of verbatim theatre.
Patrick Morrow chronicles the life and death of student theatre on campus.
Shannen Potter reviews SUDS’ latest play, ‘Preheat’.
Will Edwards reviews SUDS’ ‘The Bitterness of Pomegranates’.
Charlie O’Grady reviews SUDS’ Ghosts.
Australian theatre needs more in the mould, writes Patrick Morrow.
Lucy Connell chatted to Chris Taylor about skivvies, comedy and car chases in the Quad.
SUDS—Studio B, 7:30pm. Wednesday—Saturday, April 30—May 10. The Detectives Handbook—a blend of hip hop, jazz, and film noir—is SUDS, and musical theatre, at its audacious best. With words by Ian Ferrington and music by Olga Solar, The Detectives Handbook recounts the story of the grizzled Detective Thompson and his naïve young partner, Hartman. They’re forced…