Close Menu
Honi Soit
    Facebook X (Twitter) Instagram
    Trending
    • Skank Sinatra Review: Electric, hilarious, and open-hearted
    • Spacey Jane’s  ‘If That Makes Sense’ and Keeping Australian Music Alive
    • Trump administration issues executive order closing CIA black sites, convinced they are “woke” /Satire
    • “Lawfare”: Jewish staff and students rally behind USyd academics now facing federal legal action
    • Interview with Plestia Alaqad on ‘The Eyes of Gaza’
    • Whose Review Is It Anyway?: NUTS’ WPIIA 2025
    •  “Like diaspora, pollen needs to be scattered to different places to survive and grow”: Dual Opening of ‘Germinate/Propagate/Bloom’, and ‘Last Call’ at 4A Centre of Contemporary Asian Art
    • Akinola Davies Jr. on ‘My Father’s Shadow’, Namesakes, and Nostalgia
    • About
    • Print Edition
    • Student Journalism Conference 2025
    • Writing Comp
    • Advertise
    • Locations
    • Contact
    Facebook Instagram X (Twitter) TikTok
    Honi SoitHoni Soit
    Monday, June 23
    • News
    • Analysis
    • Culture
    • Opinion
    • University
    • Features
    • Perspective
    • Investigation
    • Reviews
    • Comedy
    • Student Journalism Conference 2025
    Honi Soit
    Home»News

    Chau Chak Wing Museum to partner with the 25th edition of the Biennale of Sydney

    Chau Chak Museum will join the Art Gallery of New South Wales, Campbelltown Arts Centre, Penrith Regional Gallery, and White Bay Power Station as a host location, in presenting the exhibition Rememory.
    By Purny AhmedJune 4, 2025 News 3 Mins Read
    Share
    Facebook Twitter LinkedIn Pinterest Email

    University of Sydney’s (USyd) Chau Chak Wing Museum to partner with the 25th edition of the Biennale of Sydney partners with the Biennale of Sydney to co-host the 25th edition of the major international art festival from 14th March to 14th June, 2026. 

    Chau Chak Wing Museum to partner with the 25th edition of the Biennale of Sydney will join the Art Gallery of New South Wales, Campbelltown Arts Centre, Penrith Regional Gallery, and White Bay Power Station as a host location, in presenting the exhibition Rememory. 

    This is the second time the Chau Chak Wing Museum to partner with the 25th edition of the Biennale of Sydney has co-hosted the Biennale, with the last partnership being in 2024. 

    Led by Artistic Director Hoor Al Qasimi, Rememory aims to explore “intersection of memory and history as a means of revisiting, reconstructing, and reclaiming histories that have been erased or repressed.” 

    Thus far, the Biennale has announced its first 37 artists and collectives, with more to be announced. Amongst these, 15 First Nations artists globally have been commissioned by the Biennale of Sydney. 

    International and Australian artists are invited to “reflect on their own roots” whilst exploring the “global themes that connect us.” 

    Key markers of this edition include highlighting marginalised narratives, sharing untold stories, and ideas on memory, identity, and belonging. The edition looks to give a “voice to stories from Aboriginal communities”, as well as the “divergent diasporas” living in Australia.  

    Al Qasimi stated, “Rememory connects the delicate space between remembering and forgetting, delving into the fragmented and forgotten parts of history, where recollection becomes an act of reassembling fragments of the past — whether personal, familial, or collective. 

    “Through the defiant act of sharing, seeing, and understanding, the artists and cultural practitioners I’ve invited to participate explore the hidden effects of history and how it continues to shape the present in an evolving and consuming conversation. 

    “Rather than focusing on linear storytelling, I hope to highlight how we can become active participants in retelling our collective stories by revisiting and reinterpreting past events.”

    Minister for Jobs and Tourism, Steve Kamper stated that “Rememory is an important reflection of Sydney’s rich and diverse cultural history and a fantastic opportunity to showcase that history to visitors from across the nation and around the world.”

    The Biennale of Sydney will be open to the public between 14th March – 14th June 2026.

    art biennale of sydney chau chak exhibition

    Keep Reading

    “Lawfare”: Jewish staff and students rally behind USyd academics now facing federal legal action

    UTS bans indoor protests

    Faded Stains and Ghostly Patrons: The Hazy Australiana of Holly Greenwood

    Macquarie University cuts at least 50 jobs

    1 in 3 men  have used intimate partner violence, according to AIFS research

    University of Melbourne expels two students, suspends two more after pro-Palestine protests

    Just In

    Skank Sinatra Review: Electric, hilarious, and open-hearted

    June 20, 2025

    Spacey Jane’s  ‘If That Makes Sense’ and Keeping Australian Music Alive

    June 20, 2025

    Trump administration issues executive order closing CIA black sites, convinced they are “woke” /Satire

    June 19, 2025

    “Lawfare”: Jewish staff and students rally behind USyd academics now facing federal legal action

    June 19, 2025
    Editor's Picks

    Part One: The Tale of the Corporate University

    May 28, 2025

    “Thank you Conspiracy!” says Capitalism, as it survives another day

    May 21, 2025

    A meditation on God and the impossible pursuit of answers

    May 14, 2025

    We Will Be Remembered As More Than Administrative Errors

    May 7, 2025
    Facebook Instagram X (Twitter) TikTok

    From the mines

    • News
    • Analysis
    • Higher Education
    • Culture
    • Features
    • Investigation
    • Comedy
    • Editorials
    • Letters
    • Misc

     

    • Opinion
    • Perspective
    • Profiles
    • Reviews
    • Science
    • Social
    • Sport
    • SRC Reports
    • Tech

    Admin

    • About
    • Editors
    • Send an Anonymous Tip
    • Write/Produce/Create For Us
    • Print Edition
    • Locations
    • Archive
    • Advertise in Honi Soit
    • Contact Us

    We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

    © 2025 Honi Soit
    • Privacy Policy
    • Terms
    • Accessibility

    Type above and press Enter to search. Press Esc to cancel.