What Drag Race does wonderfully is navigate the messiness of ‘reality’, whilst maintaining a fundamental belief in platforming and legitimising queer community and queer art.
Author: William Winter
As a person and an artist I’m not interested in colouring within the lines. All of the things about me that anyone could take issue with, I’ve really learned to love.
Reclaiming slurs can feel transcendent. Without our slurs, the queer community lose our history.
At 2:42pm on the 28th of February, the elusive doors to the Cullen meeting room in the Holme Building opened for the ‘public’ session of the University of Sydney Union (USU) Board meeting.
I think everyone in the audience could tell that the person who ‘discovered’ this cultural pairing was definitely intoxicated, if not heavily. Still, it was good fun.
Following through with their 12-month plan, formally announced in September last year, the USU is officially moving into their final consultation phase for becoming an incorporated entity.
It feels as if my generation is the last to experience any semblance of a whimsical and outside-focused childhood.
Has anyone else sensed a change in the tides for the future of our pop girlies? After a short n’ sweet Brat summer, we’re starting to see a new age of pop girl unity.
The University of Sydney Union (USU) has implemented plans to expand its 2021 program for distributing sanitary products across campus using Student Services and Amenities Fees (SSAF).
Weaved into the oral history of every speaker who has graced this stage are the memories from the audience, which string these stories into a coherent history for a community who so often lack one.
