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“​​Too loud, too reckless, too ghetto”: Kendrick Lamar’s Reclamation of African American Identity

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Lamar’s half time performance sets an injunction within the American music industry, in which its platform should be utilized as a space for protest and liberation. His cryptic messages ultimately expose the American story as a game, controlled by an elite political class, which has continually attempted to disenfranchise its African American population.