Sean O’Grady profiles USYD alumnus and dramaturge Kip Williams

Blythe Worthy is not entirely pro-Antigone, the latest SUDS production

Edwin Zorilla reviews the latest SUDS production, Macbeth.

By performing in a 100 hour improvised play, says Felicity Nelson

  Shakespeare’s political tragedy Julius Caesar has been reimagined countless times over the centuries. The 2012 Royal Shakespeare production employed an entirely black cast and relocated the play to Africa to provide commentary on despotism and corruption. Bell Shakespeare’s 2011 production transposed the play into the modern political context of backroom dealings and leadership challenges,…

Honi Soit was a willing voyeur at this salacious SUDS production.

The dramatic conception of bringing a Romantic poem to the stage will be truly original entertainment, writes William Haines.

Passionate performances and an honest script create a deeply affecting production, writes Jackson Busse.

SUDS debutantes shine as Patrick Morrow grabs a pint.