Friday, April 26

Browsing: warm take

Don’t you dare lower the bar for people like me

Opinion August 4, 2017By Ann Ding

The arguments over Rupi Kaur’s work represent a more insidious sort of identity-politics laziness which threatens to delegitimise art by marginalised individuals that is actually good

From the mines

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Browsing: warm take

Don’t you dare lower the bar for people like me

“Who are you when the mask’s off?”: David Cook on his film Heart of the Man (2023)

The Golden Coach (1952) at Cinema Reborn

Il Grido (1957): an unapologetically pessimistic film

New report finds no Australian rentals are affordable on Youth Allowance

Our sisters in Gaza: Period poverty and white feminism

Now a word from our sponsors…

Straddling the barbed-wire fence: Australia, the rural-urban divide, and the National Party

“Have you seen my keys?”: On Alzheimer’s Disease and Caregiving

From the mines

Admin