Close Menu
Honi Soit
    Facebook X (Twitter) Instagram
    Trending
    • Where is the outrage?: National protest against gender-based violence
    • Battling personalities and deadlines: The spectrum of characters in group assessments
    • Another Election? Why the USU Election Matters
    • HackWatch: Who Wants to be a Board Director?
    • 2025 USU Board Candidate Profile: Archie Wolifson
    • 2025 USU Board Candidate Profile: Layla Wang
    • 2025 USU Board Candidate Profile: Annika Wang
    • 2025 USU Board Candidate Profile: Cassidy Newman
    • About
    • Print Edition
    • Student Journalism Conference 2025
    • Writing Comp
    • Advertise
    • Locations
    • Contact
    Facebook Instagram X (Twitter) TikTok
    Honi SoitHoni Soit
    Tuesday, May 13
    • News
    • Analysis
    • Culture
    • Opinion
    • University
    • Features
    • Perspective
    • Investigation
    • Reviews
    • Comedy
    • Student Journalism Conference 2025
    Honi Soit
    Home»Culture»Books

    Review: Because I’m Not Myself, You See (2024) by Ariane Beeston

    By Madison BurlandMay 21, 2024 Books 4 Mins Read
    Share
    Facebook Twitter LinkedIn Pinterest Email

    TW: strong mention of mental health struggles 

    Why is there so much focus on the birth and nothing about what happens after?

    This is what Ariane Beeston, a psychologist, writer, dancer, and former Department of Community and Justice Services (DoCs) worker — now known as the Department of Communities and Justice (DCJ) — asks in one of her poems Because I’m Not Myself, You See (2024). Her debut memoir follows her life from cases she worked at DoCs in Sydney, through to the birth of her son, Henry – her struggle with Postpartum Psychosis, specifically as a registered psychologist, and her journey to rebuild her life with the support of her husband, therapy, and medication. In doing so, Beeston offers us an unwavering look into the truth of motherhood, not shying away from the details, no matter how intimate. 

    Postpartum psychosis is an often forgotten and neglected risk of pregnancy that occurs statistically just over 2 times in 1000 pregnancies. Because I’m Not Myself, You See shines a spotlight on the truth of the matter through Beeston’s personal experiences, and that of others in her life also affected by the epidemic. She interweaves these first-hand experiences and scientific facts with beautiful prose, and references to familiar literature. It’s accessible and uncomplicated, with creative writing through the form of poetry incorporated accompanying her journey, alongside the science. For a memoir with such a heavy subject, Beeston approaches it with kindness and candidness, as well as necessary humour without sugarcoating the truth of Postpartum Psychosis. 

    Although Postpartum psychosis is considered to be rare, the potential impacts are staggering specifically high rates of Maternal suicide. Going into this memoir, I had an understanding of Postpartum depression, but I had no idea about Postpartum psychosis. I had heard news stories of infanticide and families affected by maternal health issues, but I never looked at the cause. After finishing it, I was shocked not only by the lack of support Australia currently has for mothers but at how quiet the discussion around Postpartum Psychosis has been so far. 

    As a mental health professional, it can be so much harder to reach out when you are supposed to be the one fixing people and battling your own internalised stigma. Beeston doesn’t shy away from the truth about recovery: it is not always linear. Beeston’s experience as a DoC’s worker lingers long after she gives birth to Henry. She becomes obsessed with his nappy rash, and cannot shake the idea that he will be taken from her due to it. She fears that this is some type of karma for her work in the System. Beeston reminds us of the importance of professionals being looked after, and not just doing the looking after. They are not exempt from mental health issues. 

    As someone who witnessed the system’s workings up close, Beeston critiques it as a worker and a patient accessing it. She takes the reader through one of Sydney’s only mother-and-baby psychiatric facilities and shares stories of other women who may not have been able to speak for themselves. Beeston speaks of Emily, Melissa, and Rebecca, three mothers who she meets who struggle with similar issues to tell the reader that there are many more experiences than one may think and that they are not alone. In particular, Beeston addresses the mothers who are struggling, telling them that they shouldn’t have to be superheroes all the time, that accessing support is important, and that it will not make them any less of a mother, or a person. 

    Beeston’s memoir is doing the hard work so desperately needed in our society. Ultimately, it is heartbreakingly beautiful, offering valuable insights into how Australian mothers are struggling under a system that is failing them. This memoir is a must-read for anyone and everyone who wants to help break away from stigma and for those looking to learn how they can better support the mothers in their lives. 

    As of May 2023, there are only 13 Mother and Baby Units, with 83 beds in total available. Up until 2022, there were no Mother and Baby Units in NSW at all, now there are two with 8 beds available at each, but that is still not enough. Our mothers need support, and they have for quite some time now. 

    Ariane Beeston is asking us to finally listen. 

    Because I’m Not Myself, You See (2024) is available in bookstores across Australia from today.

    ariane beeston becuase i'm not myself you see memoir postpartum psychosis

    Keep Reading

    Reporting from Gaza: Plestia Alaqad’s The Eyes of Gaza

    Book Review: Mother Tongue by Naima Brown

    Loose ends tied up in Shankari Chandran’s ‘Unfinished Business’ (2025)

    The Lion Women of Tehran (2024): Best friends against the world

    “Fiction of inclusion”: Anna Funder invites myth-busting facts to dinner in Wifedom (2023)

    Reading lifetimes: Samah Sabawi’s Cactus Pear For My Beloved (2024)

    Just In

    Where is the outrage?: National protest against gender-based violence

    May 12, 2025

    Battling personalities and deadlines: The spectrum of characters in group assessments

    May 12, 2025

    Another Election? Why the USU Election Matters

    May 10, 2025

    HackWatch: Who Wants to be a Board Director?

    May 10, 2025
    Editor's Picks

    We Will Be Remembered As More Than Administrative Errors

    May 7, 2025

    NSW universities in the red as plague of cuts hit students & staff

    April 30, 2025

    Your Compliance Will Not Save You

    April 16, 2025

    Remembering Khanh Tran: How Activists Won the Fight for a Disabilities Room on Campus

    April 9, 2025
    Facebook Instagram X (Twitter) TikTok

    From the mines

    • News
    • Analysis
    • Higher Education
    • Culture
    • Features
    • Investigation
    • Comedy
    • Editorials
    • Letters
    • Misc

     

    • Opinion
    • Perspective
    • Profiles
    • Reviews
    • Science
    • Social
    • Sport
    • SRC Reports
    • Tech

    Admin

    • About
    • Editors
    • Send an Anonymous Tip
    • Write/Produce/Create For Us
    • Print Edition
    • Locations
    • Archive
    • Advertise in Honi Soit
    • Contact Us

    We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

    © 2025 Honi Soit
    • Privacy Policy
    • Terms
    • Accessibility

    Type above and press Enter to search. Press Esc to cancel.