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Reviews

Reviews //

Review: The Forgiven

Despite high drama and vivid filmography, The Forgiven has nothing new to say about wealth and whiteness.

July 31, 2022 Ellie Stephenson
Reviews //

Rema: An Afrobeats Rave at Manning

The rising star brought his ‘Rave & Roses’ world tour to Sydney with an intense and electrifying set.

July 26, 2022 Lizzy Kwok
Culture, Film, Reviews //

Official Competition Review: Tightly-woven and biting cinematic satire

Official Competition will be in cinemas from 21 July.

July 9, 2022 Ellie Stephenson
Culture, Reviews //

Dark Mofo – The Phoenix or the flame?

More than smoke and mirrors, Dark Mofo proves that public art should have a soul.

July 6, 2022 Thomas Sargeant
Culture, Opinion, Reviews //

Familiar Scenes Inside the Goldmine

Future Art is stuck in the past.

June 17, 2022 Calvin Embleton
Culture, Reviews //

SOFT CENTRE: Prowling Aliens, Virtual Reality and Screamo

Experimental, intimidating and provocative, SOFT CENTRE was everything that I could hope for from Sydney’s cultural scene.

June 8, 2022 Thomas Sargeant
Reviews //

The Phantom of the Opera: the world famous musical taking on new life at Sydney Harbour

Simon Philips’ hit show on the waters was a roaring success even amid the poignant underlying theme of a Phantom deprived of his own name under the cloak of ableism.

June 7, 2022 Cara Marino
Reviews //

SUDS’ Things I Know To Be True: a soulful adaptation of an Aussie classic.

This is two hours of emotionally intimate theatre, capturing the joys and sorrows of family life.

June 1, 2022 Charlie Lancaster
Reviews //

Review: A Pitch in Time (BarberSoc Presents)

A Pitch in Time was a culmination of a semester’s worth of rehearsals and a testament to the musical talent of its members.

May 30, 2022 Sylvia Ye and Katarina Butler
Culture, Reviews //

‘An Evening with Diana Reid’: Sex and Consent on Campus

Although being critically informed about the socio-political world is undeniably an admirable trait, Reid critiques the way ‘wokeness’ is weaponised to belittle others and secure a moral high ground.

May 27, 2022 Christine Lai

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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