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Reviews

Culture, Reviews //

Review: Another Round (SFF Summer Season)

Another Round is an alcohol-fuelled dark comedy.

January 21, 2021 Zander Czerwaniw
Culture, Reviews //

Review: High Ground (SFF Summer Season)

High Ground highlights Australia's history of injustice with a necessary harshness.

January 21, 2021 Rhea Thomas
Reviews //

Review – Sydney Theatre Company’s The Picture of Dorian Gray

The play effortlessly explores the Gothic obsession with the self for a modern context, leaving audiences in awe and contemplating the unanswerable questions that Wilde asked over a century ago.

January 19, 2021 Nathaniel Gleeson
Culture, Reviews //

Review: Minari (SFF Summer Season)

Minari is an intimate story of a family's struggles in an unfamiliar environment.

January 18, 2021 Julian Kopkas
Reviews //

Review – Belvoir’s My Brilliant Career

It’s not a romance, yet its lively, joyous energy fills you up as you watch all the same.

December 19, 2020 Katherine Porritt-Fraser
Reviews //

Review – SUDS Presents: Alan Turing, Joan of Arc, and Vincent Van Gogh Walk into a Bar

SUDS' latest production is an original work that challenges the common perceptions of historical figures.

November 25, 2020 Marlow Hurst
Culture, Reviews //

Review – SUDS Presents: Macbeth

SUDS' major production for 2020 delivers an enthralling take on a classic text.

November 17, 2020 Oscar Eggleton
Culture, Reviews //

Review – SUDS Presents: Project XXX

An entertaining and thought-provoking exploration of pornography and exploitation that occasionally muddles its message.

November 14, 2020 Lilly Aggio
Culture, Reviews //

Review: A Delicate Fire

An eclectic and occasionally carnal offering from one of Sydney's most versatile performance companies.

November 12, 2020 Blake Falcongreen
Culture, Reviews //

Review: Van Gogh Alive

Projected paint strokes come alive in this new immersive exhibition.

October 31, 2020 Caitlyn Sinclair

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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