The exquisite Japanese scenery is viewed through a conspicuously French lens: a longing for what was strange and unfamiliar, beautiful and haunting.
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It was a comfort and a joy to watch such stunning theatre made by local performers in local venues.
The scepticism aura-ing each character suffuses, never suffocates. Freud’s Last Session, while a grave title, has a feather touch. If this movie marks a revitalisation of Freud as person rather than Freud as stereotype, perhaps it is appropriate that his unearthing requires a little tenderness.
As part of ArtsLab: Collide’s collaboration with 107 Redfern, Leah Herbert’s Fat Girl uncovers the all-too-hidden experience of growing up…
With basslines beating like hot-red veins, Zombie! The Musical will chew you up and spit you out.
N.B. This review features minor spoilers Achingly beautiful and gut-wrenchingly tragic, Tommy Murphy’s seminal queer play Holding the Man is…
While exciting and filled with large performances, the urge to force the dominos to fall causes the show to lose a strong thematic or aesthetic focus. The published synopsis lauds that the play “starts with a bang and races on like a runaway train.” If only it took a moment, especially at the start, to step on the brakes.
People say the Mona Lisa’s most memorable feature is her eyes that follow you around the room; that purposeful connection like the kind Kwa forms with her audience makes the difference between consuming and experiencing.
The new show by puppetry group Highly Strung is sharp, heartwarming and unapologetically unpretentious.
In pedestalling the objects on white fabrics and casing them away behind glass, Naqvi brings immense value to objects which are a part of her everyday life, creating them into symbols of her and her community’s strength.