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Reviews

Books, Reviews //

Growing pains

Thoughts on Natalia Ginzburg’s All Our Yesterdays.

November 1, 2022 Eamonn Murphy
Reviews //

Review: Being gay

You can’t have so many orgasms without shared lived experience.

October 29, 2022 Roisin Murphy and Thomas Sargeant
Reviews //

Review: South African accents

Though my interaction with real South Africans has not increased much at university, I have allowed the unconscious psychology within their accent to permeate my mind.

October 29, 2022 Oscar Chaffey
Reviews //

Review: Writing for Honi

Ultimately, the role of the Honi contributor is to generate dopamine.

October 29, 2022 James Frederiksen
Reviews //

Review: USyd Law School

Law school is where dreams come to die, and where we come to kill them.

October 29, 2022 Christian Holman
Reviews //

Review: Fruit

People who believe in the cause of fruit-eating are so self-righteous about it.

October 28, 2022 Zara Zadro
Reviews //

‘A Practical Guide to Self Defence’ — a hilarious, touching, and nuanced look into the Asian-Australian experience

Yang writes with such natural authenticity, it is difficult to believe this is his first play — adopting a hybrid format many of us have likely never seen before in theatre.

October 26, 2022 Lizzy Kwok
Reviews //

Reaching for the Stars: UniTunes Live at the Lansdowne

How podcast hosts Archie Wierum and Fynn Ferdinands built a bridge of connection between rising artists and newfound audiences

October 25, 2022 Zara Upfold
Reviews //

Someday Soon Review: An electric debut at Manning

In our post-COVID world of isolating technology and disconnected University management, events like this serve as a reminder of live music’s unifying power, irrespective of what faculty you belong to.

October 17, 2022 Jasmine Donnelly
Reviews //

‘The Australian Wars’ on SBS: A reckoning with forgotten history

Filmmaker Rachel Perkins dispenses with the myth that so-called Australia was settled peacefully in a new documentary series.

October 17, 2022 Ethan Floyd

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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