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Culture

Art, Culture //

Cross-cultural depictions of Christianity

Visual art is a powerful medium for the faithful to express their devotion. It offers an avenue for individual expression and connection to culture.

August 8, 2022 Khanh Tran and Emily Scarlis
Culture //

Beach culture and the missing beach beds: Are Australian beaches truly equitable?

Australia is known globally for its beaches, but those on our doorstep are inaccessible and devoid of commercial activity. Why?

August 5, 2022 Misbah Ansari
Culture, Film //

Finding the Great Australian Film

What is the Australian 'vibe'?

August 2, 2022 Luke Mesterovic
Culture, Perspective //

Experiencing beauty as radical ecology: On Timothy Morton

The beauty and surrender we feel through art might energise futures of nonviolent coexistence with nonhumans and their environments.

August 1, 2022 Zara Zadro
Music, News //

First day of Splendour In The Grass cancelled amid flooding and neglected campers

All main stage acts on the first day of the festival have been cancelled at the last minute due to wet weather. This comes after the previous night’s camping entry process left festivalgoers waiting for over nine hours with no accommodation or communication from the festival.

July 22, 2022 Thomas Sargeant
Culture, Film //

How the space race created a new genre of cinema

First there was Sputnik, then there was Alien, and now we have The Martian.

July 17, 2022 Josh Clay
Culture, Film, Reviews //

Official Competition Review: Tightly-woven and biting cinematic satire

Official Competition will be in cinemas from 21 July.

July 9, 2022 Ellie Stephenson
Culture, Reviews //

Dark Mofo – The Phoenix or the flame?

More than smoke and mirrors, Dark Mofo proves that public art should have a soul.

July 6, 2022 Thomas Sargeant
Art, Culture //

A love letter to Love Letters to the Horizon

The exhibition at SCASS Backspace honours queer community and liberation, running until 30 June on Level 3 of Wentworth.

June 21, 2022 Alana Ramshaw
Culture, Opinion, Reviews //

Familiar Scenes Inside the Goldmine

Future Art is stuck in the past.

June 17, 2022 Calvin Embleton

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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