What’s next for Sydney art? The National Art School’s (NAS) Postgrad Show claims to have the answers. The former Darlinghurst…
Author: Victoria Gillespie
Grace Wallman, Board Director, asked the board to “avoid the two bad apples approach […] as the USU can’t pretend it doesn’t exist in our community, we really just need to frame out minds [that] this is part of a larger systemic issue”.
The event comprised speeches from embassy caretakers and Traditional Owners, as well as smoking ceremony and dances. The embassy calls for land back and recognition of First Nations sovereignty.
For many, it’s been a long year, longer than most. The balancing act of student life is ever-tenuous, with ever-mentioned…
New data obtained by the Redfern Legal Centre reveals NSW police have conducted over 900 strip searches at train stations…
In all its flaws, misrepresentations, skewed storylines and unethical practices, Target managed to make a series that lives on.
Art history exists on a continuum, the Union’s collection both conforms and challenges the contours of Australia’s artistic landscape.
A Lebanese Australian speaker began by appealing: “My people deserve to live in a land that is not occupied… [one] that we don’t have to rebuild”.
The proposal has sparked an internal debate inside the USU and would be the largest governance change in the Union’s history.
Organising across campus and online platforms remains a critical obstacle for political activists, especially when it comes to increasing accessibility for the historically unengaged.
