Throughout this documentary, Hiam Abbass is not a celebrity or an actress. She is a daughter, sister and mother, amongst her family.
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Ultimately, Divertimento catalyses us to consider the power of classical music to connect us and bring us joy, even if the classical world is, and remains, an elitist environment.
Naturally, we were competing for movie ticket prizes and enjoying the view of asbestos signage from above.
Like myself, nearly every woman in the cinema had experienced this, or knew somebody who had shared similar experiences.
Is there a correct way to depict evil on screen? Is the omission of violence just as impactful as visibility?
While it’s true that A24 is prevailing in the indie scene right now, it’s not a typical media hegemony story.
Maybe I am a mess. Maybe neither I nor Bridget are messes. Maybe you aren’t a mess. Perhaps, we are all just trying our best, and maybe just maybe that is good enough.
Although it may not be the subject of many films, there is actually a lot to explore when looking at how language is represented onscreen, especially in the realm of translation.
In method acting, the goal isn’t just to convincingly play a part, it is to actually embody it, which is where the danger comes in.
Diversity. Ageing. Bodies. These were the three focuses of ACMI’s — Australia’s museum of screen culture — recent Being Seen…