
A24 won a bunch of Oscars, and now $40 million arthouse movies are being made
While it’s true that A24 is prevailing in the indie scene right now, it’s not a typical media hegemony story.
While it’s true that A24 is prevailing in the indie scene right now, it’s not a typical media hegemony story.
Maybe I am a mess. Maybe neither I nor Bridget are messes. Maybe you aren’t a mess. Perhaps, we are all just trying our best, and maybe just maybe that is good enough.
Although it may not be the subject of many films, there is actually a lot to explore when looking at how language is represented onscreen, especially in the realm of translation.
In method acting, the goal isn’t just to convincingly play a part, it is to actually embody it, which is where the danger comes in.
Held in partnership with the Geena Davis Institute on Gender in Media, the day was a celebration of the ways that representation has slowly improved on and off screen, whilst provoking thoughtful consideration and discussion about the areas where more change is needed.
Whilst 2022 was seen as the year where many films — franchise entries, reboots of popular IP or, in some instances, original storytelling — brought audiences back to the cinema, streaming services remain fierce competition.
Film festival programming might not have been Lisa Rose’s first calling, but she’s glad that she can now be a “professional gay.”
First there was Sputnik, then there was Alien, and now we have The Martian.