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Madeline Ward

Analysis //

How COVID-19 changed Sydney’s hottest pro-life event

Abortion and the Catholic church in the time of COVID-19

April 6, 2020 Madeline Ward
News //

USU election information Zoom session invaded by anonymous trolls

The users spammed the call with offensive and pornographic material.

April 3, 2020 Lara Sonnenschein, Madeline Ward and Chuyi Wang
Perspective //

Farewelling hospo

Mourning the loss of friendship, customers, conversation.

March 29, 2020 Madeline Ward
Culture //

In conversation with Sophie Hardcastle

SCA alumni Sophie Hardcastle on her new book, Below Deck.

March 25, 2020 Madeline Ward
Culture //

In conversation with Jeremy Neale

Madeline Ward chats with the Velociraptor frontman.

March 22, 2020 Madeline Ward
Analysis //

“Everybody hates a tourist”: class appropriation in Australian fashion

Workwear for trendy, unaware yuppies.

March 1, 2020 Madeline Ward
Culture //

“Peace or I’ll punch your lights out”: The cultural relevance of Sons of Steel

Sons of Steel is a tasteless breath of fresh air

February 26, 2020 Madeline Ward
Culture //

Rest in peace Cafe Azzuri

The popular crepe cafe is no more.

February 20, 2020 Madeline Ward
Analysis //

What your OBs haven’t been up to over the summer break

A look into the summer (in)activity of paid SRC Office Bearers.

February 18, 2020 Matthew Forbes and Madeline Ward
News //

“This is not a change the date protest”: Thousands march on Invasion Day

Black deaths in custody and the climate crisis dominated the rally.

January 26, 2020 Lara Sonnenschein and Madeline Ward

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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