Premiering at Flight Path Theatre in Marrickville, Call of the Void, presented by the Sydney University Dramatic Society (SUDS), immerses…
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“I don’t know if I want to be bound” A surreal vision of life, what it means to understand one…
While the play had the potential to be a poignant reflection on the systemic injustice of Catholic reformatories, and the broader culpability of sexual deviance that is unduly placed on women’s shoulders, it unfortunately fell short.
Despite its overwrought premise, director Jane Angharad manages to bring out the play’s more subtle themes through the intimacy she develops between the characters and the audience.
The play was an inviting and necessary series of vignettes on the transition from girlhood to womanhood, largely communicated in monologues or dialogues.