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musical handcuffs

Culture //

Rhyme and Crime: The controversial role of criminality in music.

Why is the mainstream addicted to art sourced from society’s fringes?

April 4, 2017 Hal Fowkes

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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