There wasn’t a single part of the night where the majority of the crowd didn’t know the words: a testament to the scale of how loved the band is.
Browsing: reviews
El-Rifae’s work penetrates to the depths a slew of important themes from justice to public space, Women’s resistance to violent sociocultural patriarchal systems and state control, meticulously interweaving these together in a narrative of solidarity and resistance.
SUDS’s latest production Rent: The Musical (No, Not that Rent) is a musical about love and the emotional politics of cohabitation.
Marjan Kamali’s novel portrayed a bond so strong that those who read it could not help but weep.
What begins as an interesting, methodical meditation on this elderly couple and their farm, invaded by the suspenseful threat of this duplicitous man, becomes a rote thriller that repeats scenes ad nauseam.
Although the characters could have been developed differently, Champions had a captivating premise, while the cast and production team handled complex issues tactfully.
Neither the enamoured men, nor the viewfinder, nor the audience, witness Parthenope’s inner psychology. Dialogue is airy and oblique, with quotable aphorisms and pithy witticisms feeling hollow.
With a diverse array of skits, parodies, and impressive musical transitions, the show was a testament to the sharp wit and ingenuity of USyd’s med students.
A one-woman show, Tell Me On a Sunday necessitates extraordinary endurance for the performer; Clare sang effortlessly with the stamina of a marathon runner.
From an ancient banquet to contemporary Athens where reincarnated lovers find each other amidst chaos, a poignant reminder is evoked, love was, and still is a force that transcends the boundaries of time and space.
