Whether you’ve listened to the cast recording or never heard a moment of it before, this version of Wicked manages to feel new and exciting. Between the wonderful cast, enchanting effects, and well-timed pacing, Wicked offers audiences a truly magical night at the theatre.

MUSE’s production is an extraordinary watch. The cast, music directors and stage directors have embedded a rhythmic flow within my experiences of womanhood.

The musical book comedy is back from the dead.

Paint, pyrotechnics and audience participation come together at the Bondi Pavilion.

Maa Ki Rasoi is a modern illustration, a live painting of the complexity of intergenerational relationships, and radical acceptance as a way forward in these relationships.

Witty comebacks, quippy back-and-forth dialogue, with generous dashes of dry-British-humour… you’ll be in for an evening filled with side-splitting laughter as three (yes, just three) brilliant actors bring light to this classic gothic mystery, without losing the drama.

Short Blanket is a play that challenged hegemonic ideals of patriarchy, racism, and violence. A play that challenged my own biases and experiences different to my own.

It was incredibly refreshing and gratifying to see a predominantly BIPOC cast take over and own the stage, especially when Australia’s musical theatre scene is so overwhelmingly white. Musicals that have played in Sydney such as Hamilton and Tina: The Tina Turner Musical, pave the way and give hope for more culturally diverse talents gracing Australia’s live stages in the present and near future.

Despite its infant form, The Disappearance was a bittersweet tale of isolation, loneliness and love.

Whilst writer Kirby Medway’s script finds humorous ways to diffuse the play’s core mysteries at its most climactic moments, a great deal of what might come next is left up to our imagination.