What do you get when you mix two best friends, shitty boyfriends, and an electric blue Ford Falcon? According to Girls in Boys’ Cars, a road trip of a lifetime.
Author: Sandra Kallarakkal
Longevity is no longer, or has perhaps never been, the aim. Accessibility to past cultural artefacts has resulted in obsession.
With a show where each night there is a new audience, a new reading, and a new storyline, the possibilities are necessarily endless.
Ruhl’s play is about the lovers, sure, but with the introduction of Eurydice’s Father, the play then becomes something more – a meditation on memory, and loss, and love, and what it means to be a daughter to a father.
I find there is something about watching Shakespeare productions that is refreshing. On one hand, there is familiarity. I know…
Even as someone who isn’t a big fan of horror, I can see the enduring appeal and relevance of Carrie as per its adaption in the musical. At its heart, it’s a very human story that questions what it takes for good people to do terrible things.
Now, we are long past the point of no return. All we can do is try to come to terms with the world we do live in, and rethink how to live in it.
While their experiences differ, their stories of bravery, courage, grief, loss, resilience, and hope bring them together. It was noted, too, that the end of the Holocaust didn’t mark the end of survivors’ troubles, grief, and loss.
I’ve never had a nightmare quite like that again. Maybe because my subconscious fear of losing my dad became more real.
While national and state curricula attempt to ensure Aboriginal and Torres Strait Islander cultures, histories, and experiences are embedded into classrooms, and government policy prioritises that school outcomes for Indigenous students match or better that of their non-Indigenous peers, the implementation is left almost wholly in the hands of teachers.
