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Music

Culture, Music //

Raving, club nights and music culture: does Sydney’s nightlife really suck?

In conversation with artists and organisers from Sydney’s rave and dance music scenes.

November 1, 2022 Tiger Perkins
Culture, Music //

9/11, the death of country music and the beginnings of a revival

From union hymns to neoconservatism, country’s political history is turbulent but profound.

October 31, 2022 Charlie Lancaster and Henry Junor
Music, News //

First day of Splendour In The Grass cancelled amid flooding and neglected campers

All main stage acts on the first day of the festival have been cancelled at the last minute due to wet weather. This comes after the previous night’s camping entry process left festivalgoers waiting for over nine hours with no accommodation or communication from the festival.

July 22, 2022 Thomas Sargeant
Culture, Music, Profiles //

In conversation with Third Space: on experimental music and strobing lights

The Melbourne/Naarm-based experimental-electronic artist recently played two sold-out solo shows at Phoenix Central Park.

May 23, 2022 Seamas Pragnell
Music //

Hyperpop is dead, good riddance!

Hyperpop (as we know it) is a myth, but who is telling its story?

April 10, 2022 Chuyi Wang
Culture, Music //

The past as a roadmap for the future of Sydney’s art music scene

Art music in Sydney is seeing a much-needed shift away from Eurocentrism.

March 28, 2022 Alexander Poirier
Culture, Music //

Post-Internet music and the rise of Hyperpop

Memes, maximalism and music. When internet culture weaves itself into popular music, hyperpop is the result.

March 27, 2022 Nelson Crossley
Culture, Music //

Resist: Midnight Oil’s call to fucking do something about the climate crisis

With our beds burning, Midnight Oil’s music continues to be relevant.

March 13, 2022 Valentina Carrizo
Culture, Music //

‘Women who hear music in their heads’: The forgotten history of women in electronic music

Women were instrumental in the development of electronic music. These pioneers set the stage for one of the music industry’s most inclusive genres.

March 7, 2022 Maddie Clark
Culture, Music, Stage //

Grrrl riot, not gonna stay quiet

The riot grrrl revolution put power in the hands of young women trying to be heard

February 27, 2022 Kate Newsome

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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