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ACAR Honi

Creative //

KUMKUM கும்கும்

The poem of time

October 18, 2020 Isabella D'Silva
Analysis //

Police Powers and Protest

The changing use of police powers under the pandemic

October 18, 2020 Ranuka Tandan
Analysis //

How technology is used to expand the carceral state

The insidious transmogrification of a physical carceral system to a technological one.

October 18, 2020 Deaundre Espejo and Shania O'Brien
Culture //

Grandma, Braids and a Night at the Chinese Opera

Dreaming of the opera

October 18, 2020 Vivienne Guo
Culture //

Ghibli and Ecosocialism

The elements of ecosocialism within the films of Studio Ghibli

October 18, 2020 Maddy Ward
Analysis //

Why speaking the language doesn’t mean speaking the language

On the social interplay of the different dialects of a language.

October 18, 2020 Ira Patole
Culture //

Bearing witness: On spring, Jazz and writing

Alternate worlds, and the glimmer of the everyday

October 18, 2020 Kiki Amberber
Analysis //

The English Language and All Its Fuckery

Defying settler-colonial notions of moral respectability.

October 18, 2020 Emma Cao
Perspective //

The Most Wonderful Time

On family history, and beauty in the face of struggle

October 18, 2020 Owen Liu
Perspective //

Vignettes from Okinawa

Recounting experiences of Okinawan culture.

October 18, 2020 Karen Tengan Okuda

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Copyright Honi Soit 2018.