With the release of Puan (2024), co-directed with María Alché, Honi Soit sat down to ask Naishtat about comedy, time, existentialism, and their place in the ever-growing and perplexing canon of New Argentine Cinema.
Trending
- Antisemitism review puts universities, festivals, and cultural centres under threat
- Macquarie University axes Sociology, cuts more jobs & courses
- UTS elects new Chancellor
- Out of the Deep: The Story of a Shark Kid Who Dared to Question Fear
- Prima Facie: Losing faith in a system you truly believed in
- Jason Clare seeks replacement for ANU Chancellor Julie Bishop after $790,000 expense report
- ‘If you silence someone or shush someone, you can get out’: SISTREN is an unabashed celebration of black and trans joy. Is Australia ready?
- Mark Gowing waxes lyrical on aesthetics, time, language, and his new exhibition ‘This one is a song’