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Hannah Craft

Features // Indigenous Art

Painting the blood red centre: unfair dealing in Aboriginal art

Research has found that between 2004 and 2012 the revenue of aboriginal art stayed roughly the same. But the catch: this revenue is being generated by 40 per cent more sales.

September 29, 2017 Hannah Craft
Reviews //

Graduating with a useless degree? Move to Avenue Q

Hannah Craft watched two puppets 69 onstage. It was awesome

September 10, 2016 Hannah Craft
Reviews //

Let’s talk about death

Death and tea are Hannah Craft’s favourite things, and they served her both

September 7, 2016 Hannah Craft
Reviews //

Ed Revue crammed and flunked

Hannah Craft drew many red crosses on Ed Revue’s exam

September 2, 2016 Hannah Craft
Reviews //

SUDS gets into bed with Shakespeare again

Hannah Craft was a Merchant of Venice virgin before she entered The Cellar

August 26, 2016 Hannah Craft

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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