FKA twigs stalks onto the stage to screams of delight, her arrival preceded by shuddering bass. Vocal loops skitter through the packed Metro Theatre and, with her back arched, she casts an imperious eye over the audience. Her album’s “Preface” serves to introduce the concert as industrial percussion, and a twisted rap loop runs under…
Katie Davern analyses why audience and artist interaction is the key to modern performance.
Andy Chalmers talks to Wil Wagner from The Smith Street Band about the protest song, Tony Abbott and some other ‘fucking evil shit’.
Harrison Dangate of Empyrean Incorporated writes to you in regards to your position at the company. He wishes to meet to discuss your professional and personal development, in person, at 10:15pm. I am giddy. Where Your Eyes Don’t Go was proposed as part of the SUDS Summer Season. It’s the sort of program that includes…
Dom Ellis talks Laneway, Björk and a second album with English musician SOHN.
Sophie Gallagher talks about the impending music revolution with it’s self-styled leader, hip-hop upstart Raury.
“I’m a good person. Isn’t that enough?” Falling neatly into place in a SUDS summer season of innovation and experiment, When Good Men Do Nothing made me very uncomfortable. It also made me laugh. Sophia Roberts and Clemence Williams, working as writer and director respectively, have brought us a script and a staging for it…
William Edwards talks to Cam Smith about a comedy article that scared Sydney shitless Satirists have been facing the wrath of a misunderstanding public since Jonathan Swift’s Modest Proposal some 300 years ago, but last week, comedy provoked widespread panic, as satire website The Sauce became “Australia’s most successful terror organisation by accident”. That distinction…