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literature

Culture //

Trapped in a room with Ottessa Moshfegh

Reading depraved and isolated protagonists in the time of social separation.

August 8, 2021 Alice Moore
Culture //

To all the books we loved before

An ode to childhood reading.

May 16, 2021 Isabel Freudenstein
Culture //

Breaking up with straight white men

Why I stopped reading fiction written by straight white men.

May 16, 2021 Casey Zhu
Culture //

Making literature fashionable — again?

Literature's surprising influence on fashion.

May 16, 2021 Thomas Fotiou
Culture //

‘Social’ science fiction, and the continued relevance of the genre

The commentary of sci-fi.

May 16, 2021 Matthew Kelleher
Culture, Features //

The Eulogy of The Novelist: What comes after the death of the author

Can we ever really know our favourite authors?

May 9, 2021 Genevieve Couvret
Culture //

Ocean Vuong’s mythic intertextuality

The interweaving parallel narratives in Night Sky With Exit Wounds.

May 7, 2021 Ariana Haghighi
Culture //

Sapphic fruit: clutching to queer interpretation in Goblin Market

A bite into the hidden subtext of a Victorian poem

March 15, 2021 Niamh Gallagher
Perspective //

Gay fantasies of gay fantasy

Dreams of otherwordly queerness.

June 28, 2020 Klementine Burrell-Sander
Culture //

What’s in a balcony?

From the balcony to the window in romantic media.

March 16, 2020 Shania O'Brien

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Copyright Honi Soit 2018.