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sff2017

Reviews // Sydney Film Festival

Porto is a troubled portrait of ephemeral love

Unlike its contemporaries, Porto’s aesthetic beauty can’t hide a flawed script.

June 20, 2017 Joseph Verity
Reviews // Sydney Film Festival

The Beguiled is dark, mesmerising, and quintessentially Coppola

Subvert Southern hospitality and let polite anarchy reign!

June 20, 2017 Alex Bateman
Culture // Sydney Film Festival

Jeffrey Walker on diversity and directing Ali’s Wedding

The director of upcoming film, Ali’s Wedding, talks about growing up a child-actor, and making Australia’s first Muslim rom-com.

June 15, 2017 Alison Xiao
Features // Manus Island

Chauka, please tell us the time

Honi talks to Dutch filmmaker Arash Kamali Sarvestani and Manus detainee Behrouz Boochani who secretly filmed a feature length documentary about life in detention.

June 6, 2017 Nina Dillon Britton
Reviews // Sydney Film Festival

‘My Name is Emily’ shows us exactly why every father is terrible

Has there ever been a positive father film?

May 16, 2017 Oliver Moore
Reviews // Sydney Film Festival

In ‘The Forest of Lost Souls’, it’s easy to lose your way

A powerful exploration of how we comprehend suicide

May 16, 2017 Christine Wei

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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