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Alex Bateman

Profiles // Interviews

You are the Prototype

“Genre-busting, high IQ” art delivered to your inbox, with love.

September 2, 2019 Alex Bateman
Analysis // Artificial Intelligence

A Graphic Affair: What do CGI Influencers mean for us?

Where does the computer image end and the human begin?

March 27, 2019 Alex Bateman
Art // Photography

Guerilla Girls: Portfolio Compleat at NGV

A public service message from Guerilla Girls, the conscience of the art world

September 3, 2018 Alex Bateman
Reviews // Sff

Amy Adrion on the making of Half the Picture

Amy Adrion’s documentary prioritises the female perspective and shines a light on gender discrimination in the film industry.

June 12, 2018 Alex Bateman
Reviews // Sydney Film Festival

The Beguiled is dark, mesmerising, and quintessentially Coppola

Subvert Southern hospitality and let polite anarchy reign!

June 20, 2017 Alex Bateman
Reviews // SUDS

Welcome to the 80s at Hazelwood Jr. High

David Lynch meets John Hughes

May 25, 2017 Alex Bateman
Reviews // Revues

2017’s Sydney Uni Revue betrays a great cast

Roomies who Sydney Uni Revue together stay together

May 15, 2017 Maddy Gandhi and Alex Bateman

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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