Close Menu
Honi Soit
    Facebook X (Twitter) Instagram
    Trending
    • Strawmanning in the chat at the July SRC Council
    • Folk Reimagined, East In Symphony at the Sydney Opera House
    • Graeme Turner’s ‘Broken’ assesses our ailing university sector
    • MAPW addresses USyd’s retreat from “obligation to promote peace” in open letter
    • 2025–26 State Budget Unpacked
    • Antisemitism review puts universities, festivals, and cultural centres under threat
    • Macquarie University axes Sociology, cuts more jobs & courses
    • UTS elects new Chancellor
    • About
    • Print Edition
    • Student Journalism Conference 2025
    • Writing Comp
    • Advertise
    • Locations
    • Contact
    Facebook Instagram X (Twitter) TikTok
    Honi SoitHoni Soit
    Wednesday, July 16
    • News
    • Analysis
    • Culture
    • Opinion
    • University
    • Features
    • Perspective
    • Investigation
    • Reviews
    • Comedy
    • Student Journalism Conference 2025
    Honi Soit
    Home»Reviews

    Love Lies Bleeding (2024): Murder is messy, but love is greater

    Directed by Rose Glass, Love Lies Bleeding, despite its crime thriller labelling and the copious amounts of violence, is at its core a love story.
    By Mahima SinghMarch 22, 2024 Reviews 2 Mins Read
    Share
    Facebook Twitter LinkedIn Pinterest Email

    The film opens in 1980s Albuquerque, New Mexico with a woman, Lou (Kristen Stewart) unclogging a toilet with her bare hands. It’s grimey, the filter and colour scheme so potent it makes you want to take a shower. Lou is a smoker, a cat owner, and a gym manager — a strong-headed woman that’s just trying to make a living while steering away from her father, Lou Sr’s (Ed Harris), criminal life. The story gets going when Lou comes across Jackie (Katy M. O’Brian), a bodybuilder on the way to a competition in Las Vegas, working out at her gym.

    Directed by Rose Glass, Love Lies Bleeding, despite its crime thriller labelling and the copious amounts of violence, is at its core a love story. Though much of Lou and Jackie’s relationship is predominantly sexual, at least at the beginning, we do see the touches of something deeper as the film progresses. Stewart and O’Brian’s chemistry is apparent, and their characters’ bond across the film feels well-earned. 

    Considering the sheer quantity of sex scenes in the film, it would be remiss to gloss over them. Though the camera’s fixation on sweat, skin, egg yolks and other (perhaps questionable) kinks may be uncomfortable for some viewers, it is refreshing to see sapphic love depicted on the screen so unapologetically. And though there have been valid concerns about Love Lies Bleeding playing on lesbian fetishisation for the (straight) male gaze, the sex scenes are integral to Lou and Jackie’s queerness. People tend to hold lesbians in the media to a certain standard; we can’t have sexual, violent or strange media because it’s ‘bad representation’ or because it’s purely for male enjoyment. But lesbian media is allowed to have raw sex scenes or love stories just like everyone else, without such criticisms constantly being at the centre.

    While some horror aspects of Love Lies Bleeding feel dated, the unsettling amount of, only sometimes justified, violence, cruel punishment, touches of surrealism — which seem to be a given for most A24 productions these days — throughout the movie cleverly makes the audience question their own blood lust. 

    If anyone is looking to see some queer love represented on the silver-screen, then Love Lies Bleeding is just the right movie for you.

    Love Lies Bleeding is paying in cinemas now.

    film love love lies bleeding murder queer review sex

    Keep Reading

    Folk Reimagined, East In Symphony at the Sydney Opera House

    Graeme Turner’s ‘Broken’ assesses our ailing university sector

    Prima Facie: Losing Faith In A System You Truly Believed In

    ‘If you silence someone or shush someone, you can get out’: SISTREN is an unabashed celebration of black and trans joy. Is Australia ready?

    Turning Kindness Into Strength in ‘A Different Kind of Power’

    The Lady Vanishes, as does the genre

    Just In

    Strawmanning in the chat at the July SRC Council

    July 14, 2025

    Folk Reimagined, East In Symphony at the Sydney Opera House

    July 14, 2025

    Graeme Turner’s ‘Broken’ assesses our ailing university sector

    July 13, 2025

    MAPW addresses USyd’s retreat from “obligation to promote peace” in open letter

    July 13, 2025
    Editor's Picks

    Part One: The Tale of the Corporate University

    May 28, 2025

    “Thank you Conspiracy!” says Capitalism, as it survives another day

    May 21, 2025

    A meditation on God and the impossible pursuit of answers

    May 14, 2025

    We Will Be Remembered As More Than Administrative Errors

    May 7, 2025
    Facebook Instagram X (Twitter) TikTok

    From the mines

    • News
    • Analysis
    • Higher Education
    • Culture
    • Features
    • Investigation
    • Comedy
    • Editorials
    • Letters
    • Misc

     

    • Opinion
    • Perspective
    • Profiles
    • Reviews
    • Science
    • Social
    • Sport
    • SRC Reports
    • Tech

    Admin

    • About
    • Editors
    • Send an Anonymous Tip
    • Write/Produce/Create For Us
    • Print Edition
    • Locations
    • Archive
    • Advertise in Honi Soit
    • Contact Us

    We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

    © 2025 Honi Soit
    • Privacy Policy
    • Terms
    • Accessibility

    Type above and press Enter to search. Press Esc to cancel.