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review

Reviews //

Review: Framing Britney Spears

A must watch documentary on the queen of pop herself

March 21, 2021 Angela Xu
Reviews //

Review: SUDS’ The Pillowman

SUDS' latest production explores the complexities of storytelling and childhood trauma.

March 19, 2021 Shania O'Brien
Reviews //

Review: The Golden Globes

We watched the Golden Globes so that you don’t have to.

March 7, 2021 Juliette Marchant
Reviews //

Review: SUDS’ Cyrano De Bergerac

Sniffing around SUDS' latest production.

March 3, 2021 Alexandre Douglas
Culture, Reviews //

Review: In The Zone

In conversation with Libby Montilla, the performer of Seymour Centre's most recent production.

September 21, 2020 Alice Stafford
Reviews // Reviews

SUDS presents “Rhinoceros in Love” is as funny as it is terrifying

"Rhinoceros in Love" will drain you, but never disengage you.

September 24, 2019 Baopu He
Reviews // 2019 Sydney Fringe Festival

Review: Claudia Rae & Floyd Alexander-Hunt at Sydney Fringe Comedy

Rae and Alexander-Hunt did well to land their likeable, relatable comedy with a smaller crowd, Laura de Feyter writes.

September 22, 2019 Laura de Feyter
A photo of Matthew McConaughey and Snoop Dogg's characters in The Beach Bum
Reviews // SUFF

SUFF 2019 Review: The Beach Bum

The Beach Bum is a hazy, meandering portrait of bohemian hedonism

September 21, 2019 Rhea Thomas
The poster for the Rudeboy film
Reviews // SUFF

SUFF 2019 Review: Rudeboy: The Story of Trojan Records

Rudeboy dives deep on the history of one of Britain's most iconic record labels

September 15, 2019 Reagan Scott Ward
An image of the main characters of the film
Reviews // SUFF

SUFF 2019 Review: Sword of Trust

Sword of Trust knows you’ll believe whatever it tells you

September 13, 2019 Patrick McKenzie

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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