Space, the final frontier. Its endless expanse is framed in science fiction as a clean and untainted new world for humanity to enter- but leaving Earth will not take the humanity from us.
Author: Zoe Le Marinel
Are you a loud gay or a quiet gay? This is the question that 2024’s Queer Revue dares not to…
This play is a powerful and realistic depiction of not just growing up gay but of getting older gay. The haunting sadness of having infinitely more knowledge than you once had- and the constant burning wish that you could go back in time and be a better friend, a better partner, a better confidant.
Nestled between the giant pillars of Redfern and Newtown, it’s easy to forget that it is there until an aimless walk takes you there, off the corner of an unfamiliar street.
“Female gaze” is the latest, shiniest iteration of this same idea — and yet, its popularity among young people almost gives it the feeling of a slang term. It seems to be an aesthetic descriptor much more than an academic one.
The cultural shift begins by observing inequality as a societal and attitudinal phenomenon that has nothing to do with how a disabled person’s body differs from an abled person’s body.
To many, its well-worn tropes — love letters, odes, think pieces — are a comfort, whilst to many they appear lifeless. Maybe Honi Soit can be a bit annoying —- but that’s because young people are annoying. We are part of a long tradition of nit-picky, quippy people who care.
We are both inhabitants of a deeply haunted campus with a million forgotten corners and empty courtyards. Here, in these quiet places, you’ll find some folks worth your time.
Before I knock on an office door or take my ticket in a waiting room, I take my queerness, fold it up nice and small, and put it in my back pocket.
Director Jeremy Jenkins and assistant director Hunter Shanahan have mercilessly cast seven shockingly funny performers that turn Noel Coward’s tight-lipped English comedy into a playground.
