The Australian government response, both at the state and federal level, can only be described as reinforcing the broad support Zionism has had for years across the political spectrum.
Author: Angus McGregor
Twelfth Night responds, arguing we must learn to laugh at ourselves and live in the moment.
FASS1000 is a microcosm of an increasingly corporate university that values generality and neglects specialisation.
Individual universities need to take on a larger role, even at a cost, in designing testing and processes to ensure equity and support students rather than shaking them for money.
Directed by Douglas Luciuk, Kittytown shows us you have to be a little different to survive when the world goes to shit.
Kasick’s point is simple: rather than scrutinising every exhibit to death, we need to take a step back and look at the big picture.
Historical films that don’t focus on individuals may be harder to make, and traditional Hollywood formulas of stardom may collapse, but what emerges will be liberating.
The Harp in the South tells the story of a forgotten part of Sydney and the people who were left behind when the country was supposedly marching forwards.
Harper’s thrillers bridge the gap between commercial and literary because, in her own words, she is always asking of her characters: “What pressure are they under…what’s keeping them awake at night…what kind of family dynamic do they have?”
Much of the panel discussion revolved around the need to challenge and rewrite the historical narratives of Palestine.
