The play effortlessly explores the Gothic obsession with the self for a modern context, leaving audiences in awe and contemplating the unanswerable questions that Wilde asked over a century ago.
Trending
- Cut Chilli: Irreverent comedy and cultural fusion in Sydney’s last pub theatre
- Fisher bike forgotten: save her from her misery
- Interviewing the artists behind Theatre & Music for a Free Palestine
- In conversation with Winnie Dunn on her debut novel, Dirt Poor Islanders (2024)
- We’ll always have The Paris End
- Birdeater (2023): Believe the poster, it is “feral”
- Why the Campus Access Policy stinks!
- Students at University of Melbourne rally against recent misconduct hearings
From the mines
© 2024 Honi Soit