As part of ArtsLab: Collide’s collaboration with 107 Redfern, Leah Herbert’s Fat Girl uncovers the all-too-hidden experience of growing up…
Browsing: Stage
N.B. This review features minor spoilers Achingly beautiful and gut-wrenchingly tragic, Tommy Murphy’s seminal queer play Holding the Man is…
By “record[ing] and distribut[ing] popular Australian theatre captures” with state-of-the-art digital technologies, the archives of live performance are preserved in the best quality possible.
The play was an inviting and necessary series of vignettes on the transition from girlhood to womanhood, largely communicated in monologues or dialogues.
The real strength of Screwd! lies in its inversion of the punchline. It empathises with its female characters and has us laughing squarely at the absurdity of male entitlement.
Yangoyan is particularly affecting as AJ, masterfully showcasing the character’s initial boyishness and naivety, and then his eventual brokenness.
Diversity. Ageing. Bodies. These were the three focuses of ACMI’s — Australia’s museum of screen culture — recent Being Seen…
Playwright and director Lu Bradshaw joins Honi to discuss their upcoming show Comfort, Spin, Travel.
The production’s attention to historical detail and its elevation of CAMP’s female members’ stories effectively displayed the activism, queer joy and pain involved with CAMP’s queer organising.
Director Bali Padda and actor Adish Jain join Honi ahead of the debut of their 2023 production Sunderella