At the Sydney Film Festival, guest Jane Campion introduced the documentary directed by Julie Bertuccelli recounting Campion’s creative journey and her navigation of “trouble”, “secrets”, plus the highs and lows of the film industry.
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A man finds himself drawn to the Pretty Red Dress that hangs on the back of his bedroom door.
Now, we are long past the point of no return. All we can do is try to come to terms with the world we do live in, and rethink how to live in it.
While their experiences differ, their stories of bravery, courage, grief, loss, resilience, and hope bring them together. It was noted, too, that the end of the Holocaust didn’t mark the end of survivors’ troubles, grief, and loss.
Witty comebacks, quippy back-and-forth dialogue, with generous dashes of dry-British-humour… you’ll be in for an evening filled with side-splitting laughter as three (yes, just three) brilliant actors bring light to this classic gothic mystery, without losing the drama.
SUWO took its audience on a musical journey highlighting the technical skill, musicality and versatility of its ensemble.
As with other jukebox musicals, much of the joy of Mamma Mia! The Musical comes from the clever ways in which ABBA’s music is woven into the story.
BarberSoc is definitely in the running for the most wholesome society at USyd. With a show spanning almost three hours, it’s incredible to see so many people dedicated to making music with their mouths.
As I sat down for the Sydney Writers’ Festival Great Adaptations panel, I heard from writers from all walks of…
Speaking about her new book Saving Time: Discovering a Life Beyond the Clock at the Sydney Writers’ Festival this past weekend with Jess Scully, Jenny Odell reframes our modern lingua franca for time.