Entering Seymour Centre’s Reginald Theatre for the opening night of A Case for the Existence of God, we are greeted…
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“Right now I’m at the beautiful spot where I just want to do everything. I’m open to everything and I’m open to learning. And every project is going to be different.”
Stories portraying the experiences of women and queer people throughout history are incredibly important, especially in areas where the focus has so far been largely on the exploits of men.
While the play showcased the devastating realities of terminal illness, it ultimately highlighted how ‘wit’ can instil a sense of determination in desperate times.
Despite its overwrought premise, director Jane Angharad manages to bring out the play’s more subtle themes through the intimacy she develops between the characters and the audience.
“We’re not invisible, we don’t want to be criminals, we’re just kids.”
Yangoyan is particularly affecting as AJ, masterfully showcasing the character’s initial boyishness and naivety, and then his eventual brokenness.
History is a silent corpse that sits by the wayside of our times. It lies unannounced, whisked in its funeral…
What do you get when you mix two best friends, shitty boyfriends, and an electric blue Ford Falcon? According to Girls in Boys’ Cars, a road trip of a lifetime.
Four Flat Whites in Italy is a comedic play with many lighthearted left-wing political jokes, telling looks and amusing actions from the characters.