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Talia Meli

Queer Honi 2022 //

Rehearsing gender: The Australian commercial dance industry and its commitment to gender roles

The dance industry is often conceptualised as an intimate, interconnected, and liberal space.

October 5, 2022 Talia Meli
Queer Honi 2022 //

Carabiners on campus: Contextualising queer flagging at USyd

I took to the streets (Eastern Avenue), on a mission to locate the campus carabiner queers, interview them, and maybe, just maybe, strengthen queer solidarity on campus.

October 5, 2022 Talia Meli
Perspective, Women's Honi 2021 //

The dance industry in Australia: expelling the myth of harmlessness

Exploring the harmful culture of child sexualisation and cultural appropriation in the Australian Dance Industry.

August 19, 2021 Talia Meli
News //

Families still demanding an end to forced removals of Indigenous children on Sorry Day

It has been 13 years since Kevin Rudd's apology.

May 26, 2021 Alana Ramshaw and Talia Meli

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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